Meeting on a Saturday morning to drink champagne, the friends embark on a new journey through the depths of the male subconscious. What are the men talking about this time? Of course, about the personal. Lyosha is trying to understand whether "female friendship" exists, Kamil discusses whether it is possible to fire his best friend, Lovelace Slava recalls his first love (or was it not his?), and Sasha reflects on the loss of his father and the need to enjoy life here and now. And yet, walking around the center of Moscow, friends discuss how to screw in a light bulb so that she is satisfied, and what candid photos scream about on social networks, and what is chevapchichi.

A year later the men are still talking, but this time on the 31st of December and still about the women, football, children, and, of course, about the approaching New Year’s celebration. But what can they do, if their beloved wives and girls are waiting for them at Kamil’s, busy with New Year tree decoration and cooking, and the husbands are accidentally got stuck in the advertising agency office? Will they manage to get home in time to celebrate the New Year together?

This time Lesha, Slava, Kamil and Sasha go to St. Petersburg. And three of the four do not even know why they go there. But at some point it becomes clear that it does not matter - why. It is important that they go.

An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.

Tine wants to find her dream boyfriend, but can't find him that easily. Her male best friend enjoys his single life, until they feel attracted to each other.

Tine wants to find her dream boyfriend, but can't find him that easily. Her male best friend enjoys his single life, until they feel attracted to each other.

Short film based on "What We Talk About When We Talk About Love" by writer Raymond Carver.

In the midst of our unsettled world, the Apple Family, last seen in 2014, return, though not over the dinner table, but via Zoom. This hour-long play picks up with them during their now suspended and quarantined lives. They talk about grocery shopping, friends lost, new ventures on a hoped-for horizon—all at a time when human conversation (and theater) may be more needed than ever before.

A story about how different men can be.

The charismatic and self-confident man, Karel Král, is the editor-in-chief of men's magazine. Although a chauvinistic type, he is very popular with women. However, he struggles in his personal life. He frequently argues with his ex-wife over their 17 year-old daughter Julie, who despises his new way of life. Then the consequences of his behavior catch up with him. He loses his job, and the editor-in-chief position is given to a young and beautiful woman. But his bad luck does not end there. After another fight with his ex-wife and daughter, and a woman driver crashing into his car, Karel and his best friend Cestmír have an evening of binge drinking. During the wild night, he expresses a wish to be a woman. When he wakes up the next morning he discovers that his wish has been granted.